Dervied from the words choreography and photography
In looking at Choreotography®, French choreographer Heddy Maalem says, “[Boyce] reveals our inability to truly speak, to enunciate the world, to perceive the complex linkage, to speak of our own violence, our inability to lay our eyes on beauty. [She] throws the “a-plat” of appearances in our face as a way to challenge the awakening of a vital, tortuous obscure and constant movement. [She] does not try to capture any truth. She takes a picture of the precious moment in our contradictions, this moment when we surrender to loss, to life-this moment when beauty and death lead to universal inquiry. Thus, the burial and the burst of pure beauty become tightly intertwined.”
